Write
a note on Shakespearean tragedy.
Ans. Shakespeare
represents the first modern success in the projection of tragic view in
literature. Shakespeare was living in the world which idealized
self-realization, self-respect and boldness of thought and action. The tragic
element is predominant in Shakespeare and in this context he compares and
competes on equal terms with the greatest Greek tragedians. Shakespeare also
represents the climax of the English Renaissance.
Elizabethan
tragedy achieved perfection in the hand of Shakespeare.
Shakespeare's tragedies
are the profound creations of an actively questioning genius engaged in the drama
of conflicting forces liberated both in the inner world of characters and the
practical world of give and take business. A tragedy is essentially a story of
death and suffering. Shakespearean tragedies are also powerful tales of death
and suffering, they are more than that. His tragedies are concerned with the
ruin restoration of the soul and the life of the men. In other words, it is
subjected to struggle to good and evil in the world.
Shakespeare has left
behind a number of tragedies. The great tragedies are Hamlet, Othello, Macbeth,
King Lear, Romeo and Juliet. Among the Roman tragedies Coriolanus. Julius
Ceaser, Antony and Cleopatra and Timon of Athens are quite
remarkable.
Shakespearean tragedy
is concerned with the fate of persons of 'high degree' often with kings or
princes, and with leader in the state like Coriolanus, Brutus and Antony.
Shakespeare was medieval in his conception of tragedy. In his tragedies, he
made conspicuous persons suffer so that the tragedy may have powerful effect on
the reader's mind.
Some salient features
of Shakespearean tragedy:
i) One man show: Though in Shakespearean tragedy,
there are a number of persons, yet the tragedy is pre-eminently the story of
one person, the hero, or of the two--the hero and the heroine. The story leads
up to and includes the death of the hero.
ii) Tragic
flaw: The cause of tragedy in Shakespeare's plays is some fatal flaw in the
character of the hero or the tragedy. Fate plays an important role in bringing
about the tragedy, but Shakespeare makes man responsible for his own action and
believes in the principle "character is destiny". In each of his
tragedies the hero is presented in the grip Of some fatal flaw in his
character, which in spite of external circumstances, leads him to his fatal
doom.
iii) Abnormal
conditions of Mind: Shakespeare represents abnormal conditions of mind,
such as insanity as in the case of Lear' hallucinations as in the case of
Macbeth when he sees the air drawn dagger, somnambulism as the scene of
sleep-walking in Macbeth' These abnormal states of the hero and the heroine
deepen the gloom Of the tragedy.
iv) Use
of supernatural elements: Shakespeare uses some form 0.f supernatural
elements such as ghosts and witches which are placed closest relation with the
main character. The witches in Macbeth and the ghost in Hamlet mould the
character of the hero to some extent and prepare bin for his tragedy.
v) Chance
or co-incidence: In the tragedies of Shakespeare, chance or coincidence
plays its own vital role. In Romeo and Juliet, Othello, Hamlet and also in
other plays chance plays a vital role.
vi) Struggle and Conflict: In Shakespearean
tragedies conflict takes two forms. Firstly, conflict in the outer practical
world that is filled with rapidly moving chain of events. And secondly,
conflict in the inner world of ideas and emotions, feelings and sentiments,
whose ebb and flow suck in the active energies of the character, i.e; the
conflict is within the soul of hero or the heroine. Both the external and
internal conflicts have their significance in bringing about the tragedy.
vii) Shakespearean Hero: Shakespeare's heroes
are not common men, they are persons of high status, kings and princes
possessing great dignity of character. Shakespeare's heroes are exceptional
beings in whom there in an intensification of life. In almost all tragic heroes
of Shakespeare, we observe a marked one-sidedness. The tragic hero l identifies
himself with one interest, object, passion or habit of the mind.
viii) Poetic Justice: Dr. Johnson complains
that Shakespeare has no poetic justice in his plays. In spite of the absence of
poetic justice, Shakespeare has implicit faith in a moral order. Villains
however prosperous at the beginning have to pay the penalty in the long run.
Good men at times have no doubt to suffer, but that suffering is the outcome of
the tragic flaw in their characters. It is this triumph of the moral order that
is one of the secrets of Shakespeare's universal appeal.
In conclusion we can
say that in the realm of tragedy Shakespeare is surely without a peer. As a
Banquo, Cassio or Kent in Shakespearean tragedy has an independent
individuality and stands impliedly as a foil to the central figure of the
hero—Hamlet, Macbeth, Othello or Lear. This implied contrast makes the
character of the hero more convincing and engaging and the tragic appeal to his
fall becomes more penetrating.
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