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Evaluate King Lear as a man more sinned against than sinning. Or, Construct the image of King Lear as a man more sinned against than sinning.

Evaluate King Lear as a man more sinned against than sinning.
Or,
Construct the image of King Lear as a man more sinned   against than sinning.
In the beginning of the play, Lear is an arrogant, old idiot, incapable of any reasonable act. It is rather due to his childish craving for affection that he decides to divide his kingdom on the basis of the display of love by his three daughters. This act of the king is undoubtedly vain and arrogant but we must remember that Lear existed in a barbaric age when the King had a divine right to rule. Besides, every father amongst the best of us craves for flattery and this craving is heightened in Lear due to the times he existed.
Lear's suffering throughout the play seems to be in proportion to his terrible act against his innocent and up righteous daughter. Yet let us not forget that Cordelia fails Lear as well. King Lear is undoubtedly the most tragic of Shakespearean tragedies. The final scenes of the play make us shrink but we would not wish them altered at all. In the reconciliation scene the poignancy and affection that Shakespeare manages to portray is one of the finest piece of dramatic art. It is true that Lear violates a lot of basic principles of existence in his vanity. He fails to discharge his duties towards his subjects. At the beginning of the play he forgets that he is a frail mortal who is prone to suffer as the most ordinary of his subjects. It is only when he is exposed to the terrible storm that he sympathizes with the sufferings of the poor. To add to this is his lack of judgment, when he fails to see through the villainy of his two wicked daughters.
 Despite all his failings, Lear did not deserve to die; nor did he deserve the quantum of suffering that Shakespeare delivers unto him. Once Shakespeare makes Lear suffer so much, he had no option but to let him die because at his advanced years of eighty and upwards there could be no dramatic course but a declension. This declension could have only been in the form of death since Lear had already visited the darkest abysses of hell and had resurrected himself from there.
 But several critics including Bradley think that Lear suffers because of his outrageous violation of the rule of nature. Yet they fail to see that Lear's suffering and death is massively disproportionate to his ordinary sins which are committed by average mortals every day.  He does not commit murder like Hamlet or Othello. He, in fact, gives away his kingdom, and at the ripe old age of eighty, a man is prone to be as naive as a child.

To conclude, Shakespeare makes Lear suffer grossly out of proportion to his sins. He does it to such an extent that he is not left with any option but to let him die. Lear is thus undoubtedly more sinned against than sinning, when the sole ending of him, despite the enormous suffering, could possibly have been death.

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